Skip to main content

Google Circles breaks two simple rules: simple steps & refusal to learn

There are two rule-type ways of thinking on processes and usability that I've come to believe very strongly in.

The first rule is this: the more steps involved in a task, the higher the desire of the user has to be to finish it. 

The second rule: if people aren't interested in learning something or lack incentive to learn it, they won't learn it, regardless of intelligence.

I've been reminded of both these rules time and time again lately because of Google+'s Circles, which breaks both of these.

To be clear, I'm not saying that to use Google+ requires a tech intelligence, or that people are going to reject it because they're lazy. I'm saying that to force users to make categorical decisions for every single person they add on Google+, and to then have to constantly mull over and edit those categories (rule one) when there isn't a compelling reason to do so (rule two) is ultimately going to cost them users. 

Don't think of Google+'s success in terms of the tech curious, who have already adopted Plus and will likely stay, or for the technophobic crowd who have a difficult time understanding these things no matter what the payout. Think of those people who were reluctant to use Facebook; the folks that resisted for a long time and then finally got on just because it was the only way they could see pictures or because they felt like they were missing out on a lot, and even while using it every day, still feel kind of unsure about it and could, at any given time, take it or leave it. These are the people that I think Circles is going to have trouble turning into regular users.

Constantly deciding how to neatly categorize everyone in your life is a pain, no matter how much freedom you have to create your own categories and how many categories you can add them to. I actually find it kind of depressing to have to do this. Why should I have to define the people in my life so rigidly? It's not difficult and it's not complicated, but it does involve processes and decisions that are odd and annoying enough that they'll likely to dissuade anyone except those people who are actively interested in using the product or highly value the content they get from it.

Comments

Popular posts from this blog

Why you should be clicking the Google +1 button

One of the things that most makes me feel like I'm beating my head against a wall is when I'm trying to convince people to click reaction buttons like the Facebook Like button or Google +1 button on web pages. I think that most people just don't really think to do it when they read something that they like, but they should, because as Avinash Kaushik brilliantly termed it , it's applause.  Now, I kind of get why people shy away from the using the Facebook Like button: because it shows up on your Wall, has a chance to show up in people's stream and now shows up in the ticker. All of those things are great for people trying to promote their content and get more clicks, but it's not so great for those of us just trying to get feedback on what people are liking and if they're actually reading what we're writing. Even if you're not actively embarrassed to have people know that you like it, it just feels a little more intrusive than a lot of people wan...

Some scattered thoughts on the money of digital music

If you haven't already read Digital Audio Insider's interview with Camper Van Beethoven's Jonathan Segal ¹, it's a must read for anyone with even a slight interest in digital music and the money of the industry. Segal has tons of thoughts on just about every aspect of digital music, but best of all, he brings in these thoughts as someone whose initial music industry experience was in the days of purely-physical media, when "pirating" meant copying something onto a blank tape. My main takeway is general and obvious but an important reminder: we are in a transition time for music, and what it will become is anyone's guess. I think Segal's take on merchandise and live performances taking the place as artist's primary source of income as "asinine" is too harsh to be true, but I do think that we're in such a state of transition that any shot at predicting artistic income in the future is completely in the dark. Such predictions are really ...

Why are we still judging work done by time spent?

Every morning, when I fill in the hours on my work's electronic timesheet, I'm struck by how odd it is that we're still judging our work by the time spent on it. It's odd because it's old-fashioned. In the paper and phone world, you could really only do work when you were at work. But we do work all the time now. I check my email when I first wake up. Does that mean I start my day at 6:30 am? Should that be reflected on my timesheet? How about when I respond to an email or check Basecamp when I'm on the bus? Does my work day start then? How about when I look at Google Analytics at night or think about email newsletters when I'm in the shower (which I'm somewhat ashamed to admit I did this morning)? On the other side, if someone finishes the work that they're meant to do, why should they feel like they need to stay at work until 5:00, just because that's the official time of the work day? I don't think anyone would argue that time spent ...